Oookay, our timelines are behind us and we can now delve into Richard III’s reign. If you missed the last two posts, I highly recommend taking a look (here and here), and it may be helpful to have the rundown on 1483 handy as you read through the below. Today we’re going to focus on the first wave of Richard’s assumption of power.
Ohhh, the Woodvilles. For those that have never heard of them, here’s a quick download: An English widow named Elizabeth Grey (née Woodville) married Edward IV, the first king in the House of York, sometime in 1464. England was in the middle of what would become known as the Wars of the Roses and Edward was in his early 20s, had only been on the throne for about three years and stood to benefit (massively) from the foreign alliance that marrying abroad would bring him. He instead married for love, or lust, a Lancastrian widow who was older than him and the daughter of a mere baron.
Upon marriage, Elizabeth brought with her to court her parents and a plethora of unmarried brothers and sisters, all of whom needed positions befitting the family of the queen. Edward and Elizabeth’s two eldest sons would become the famed “Princes in the Tower,” and were likely murdered during the reign of their uncle, Richard III, while their eldest daughter, Elizabeth of York, would marry Henry VII and help found the House of Tudor.
For those that are familiar with the period, then you will know that the Woodvilles have warranted refreshed appraisal in the last few years, which makes sense given the amount of recent scholarship that has been published on the Wars of the Roses, particularly its women. Almost always villainized, Elizabeth’s family are usually peripheral characters in the study or dramatization of the greater figures of Henry VI, Edward IV, Richard III and Henry VII. Elizabeth, herself, is depicted as a cold ice queen, a social-climbing upstart or a witch dabbling in black magic – sometimes all three at once. Perhaps she was lucky – her Lancastrian counterpart, Marguerite of Anjou, is usually portrayed as a promiscuous, violent, foreign “she-wolf.”