The Crown S1: Wolferton Splash

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Black screen, coughing. Then a man in a rather dingy looking mid-century bathroom coughing up blood. Yes, my dears, we’re going to cover the first season of The Crown this month as we prepare for the second’s premier. This show is of a different ilk than ITV’s Victoria which we covered earlier this year and certainly a different animal than The White Princess which I tried to cover (and then gave up, because, you know, I have my limits). I think you can safely call it prestige television and enough of its references and allusions are so subtle as to likely go over the head of viewers who don’t know much about this period of time – or this family for that matter.

But it attempts to do something that television and films haven’t yet done correctly, which is to show the humanity of Queen Elizabeth II. It’s a bold task, really, considering she is alive and well in London as we speak and this frank portrayal of her early years as monarch, her marriage and her relationship with her family is uncomfortable when you consider the possibility that she’s seen it. I’ve no idea whether or not the Queen watches this sort of thing – a part of me rather hopes that she doesn’t. And Claire Foy, the actress who currently plays her, has certainly stated as much in interviews.

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The White Princess Recap: You Are All I Have Now

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Well, that answers the Katherine Woodville question. Yes, she comes up, but about two years too late as a means for Lizzie to hurt her mother-in-law, Margaret Beaufort. Even so, the series is coming together in its narrative arc – primarily by playing up what about it is actually compelling. The evolution of Lizzie from York to Tudor, and what the actual ramifications were for a young woman to marry her enemy, have his children and realize the wishes of her blood family would come at the cost of her new existence.

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The White Princess Recap: I Don’t Think I Should Like to Be Queen; The Clothes Are Too Ugly

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You know, I sat down to write this with the goal of being positive, calling out what the show is doing well since I’ve already outlined what isn’t working for me. But then I saw this episode and that’s over now. The first half is essentially a couple scenes of casserole in which every notable character is thrown around the same place to make it interesting. I have no idea if this comes from the book or is from the show, but let’s start with the basics.

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The White Princess Recap: Your Moves Are Far Too Obvious

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Okay, round two, here we go. The episode opens with Lizzie being pretty creepy, smiling insipidly every time Henry speaks and generally trying to prove to him that she’s a loyal and loving wife. And I guess it works? But she starts to look borderline crazy and I think there’s a lesson in here for all the men that like to tell women to smile. Don’t. It doesn’t look right.

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Victoria Recap: Don’t Talk Railway At Me

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First of all, where is Lord Melbourne? He didn’t stop being Prime Minister when Queen Victoria married. Nor, indeed, did the Queen stop meeting with him. I will be most miffed if he doesn’t reappear for next week’s season finale.

Anyway, there’s no polite English word for it, but Victoria is pregnant. In the opening scene of “The Engine of Change” our 20-year-old monarch abruptly runs from a classical music concert because she is to be, in the words of her household, “indisposed out of her mouth.” The doctors soon confirm it: There is to be a royal baby. Prince Albert is over the moon and Victoria is afraid, the shadow of Princess Charlotte dying in labor looming large.

She announces it 1840s monarch style, which is to say not on Facebook, but in an audience chamber, from her throne, with members of her government assembled before her to clap when she has delivered her news. It’s most civilized and, frankly, has given me a lot of ideas for my future pronouncements.

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Victoria Recap: The Dogs Wear Jewelry

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Behind every successful queen there is a man wondering what the hell his job is. Well, not Elizabeth I, mind you, but certainly our favorite 19th century monarch, Queen Victoria. The honeymoon is over and it’s back to Buckingham Palace they go to be interrupted by Baroness Lehzen in bed, separated by blood princes walking into dinner and lampooned by political cartoons depicting poor Albert as a German sausage.

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Victoria Recap: I Am So Vexed I Could Scream

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Same, Victoria, same. Well, it’s happened. In the span of one episode Albert went from her rude, dull first cousin to our favorite British queen’s fiance. This episode also served as a good reminder of why I really don’t like Prince Albert, so, in that sense, well done Victoria – you’ve captured his essence perfectly.

Let’s get into it, shall we? Episode 4, “The Clockwork Prince,” begins where the last one left off, in the drawing room with Prince Albert walking up to the Queen to turn the page of her piano music for her. Dash immediately starts barking to which I say, good for Dash. He is a rival for Victoria’s affection and maybe also a tyrant. Dogs are never wrong. Anyway, Victoria isn’t feeling it, so when it’s suggested that she show Albert and his brother, Ernest, around she uses Lord Melbourne to get out of it with some urgent dispatches that require her “full attention.” I like this excuse. I’m going to use it going forward.

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Victoria Recap: Have You Come to Give Me a Lesson in Government?

On Sunday night, the first two episodes of Victoria, “Doll 123” and “Ladies in Waiting,” premiered on PBS, filling the time slot left over when Downton Abbey ended last year. And it makes sense – both are British period dramas centered around a young, beautiful brunette who has no problem telling off the men that surround her. Only here, the main character is based on the very real Queen Victoria and not the fictional Lady Mary Crawley.

There’s been renewed interest in the early days of Queen Victoria’s reign, which began in 1837, most notably  2009’s The Young Victoria starring Emily Blunt. These depictions seek to humanize a figure that has become best-known for being an overweight senior citizen shrouded in black, and whose reign has become synonymous with prudishness, longevity and the expansion of the British Empire in ways we now find politically and racially uncomfortable.

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But, as these depictions want to remind us, before she was a grandmother and a widow, she was an 18-year-old girl who left an overly sheltered existence as a princess in Kensington Palace to become the British queen, expected to go head-to-head with prime ministers, run a royal household and embody the institution of the monarchy. She was also – though the show hasn’t gotten there yet – a young woman desperately in love with her husband, who had a complicated relationship with motherhood. She was also jealous, domineering, stubborn and passionate. A lot to unpack there, and it’s not difficult to see why it’s tempting to want to take another look at her through a 21st-century lens.

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